Unlikely Pietá

Pietá by Steve Olson
Photo provided by: 
Johan van Parys
Pietá by Steve Olson
Art is of the greatest importance for the mission of our church. Art, of course is essential to the celebration of the liturgy. In addition, art tells the story of our faith. Art soothes our restless souls. And art invites us to face the ever-pressing questions about our faith, our society and our very selves. The ultimate goal of the use of music, art and architecture by the church is the ultimate goal of the church herself, namely that we become more and more like Christ in everything we do.

As a result, we take the arts very seriously both within the liturgy and outside the liturgy. That is why we opened our Art Gallery 15 years ago, under the protection of Blessed (soon to be Saint) Pope John XXIII. Local artists as well as national and international artists have exhibited in our Gallery. We have presented art in practically every medium and from every continent. We have mostly exhibited Christian art but have also have hosted interfaith exhibits and have ventured into the broader Sacred Art realm. 

Though each of our artists deserves to be written about I selected just one, Steve Olson whom I believe to be representative of all artists who have exhibited in our Gallery. Steve is a local artist with a national following. His work, though not always easy is strong and purposeful. It reveals his search for answers to the more difficult questions of life, and even life itself. John’s work commands your attention and when you finally can pry yourself away it remains with you and calls you back, over and over again. It is not the kind of art you see and promptly forget about. It is the kind of art that stays with you forever.

I clearly remember the moment I encountered the work of art by Steve that is depicted above this text. It has not let go of me since and in return, I have not let go of it either. The colors, the shapes, the textures and the intriguing way in which John made the heads and bodies interchangeable commanded my attention. Even today, 10 years later I cannot walk by it without stopping and pondering its meaning.
When I first saw the work I immediately thought of it as a Pietá, disregarding what John’s intentions might have been. The word Pietá comes from the Latin Pietas which was used in the Roman Empire to refer to “dutiful conduct” toward the Gods. Our word piety is clearly derived from this. The most famous Pietá is undoubtedly the one in St. Peter’s Basilica, carved by the young Michelangelo (1498-1499). In this masterpiece Michelangelo shows a young and serene Mary holding the body of Jesus which does not seem tormented but rather given in abandonment to God. Jesus accepted death as the ultimate consequence of his mission. In other words this Pietá truly reflects Jesus’ pietas or “dutiful conduct” toward God.

Throughout the centuries, artists have created Pietás inspired by their own age. Some renditions are very serene while others, including some later versions by Michelangelo reveal more of the pain suffered both by Mary and Jesus. Some renditions do not even show Mary and Jesus but rather depict unnamed people who like Jesus and Mary fulfilled their pietas or their “duty to God.” 

Olson’s Pietá depicts two unnamed people who hold one another. By making the heads and bodies interchangeable he suggests that as humans we take turns in supporting and being supported. Like Michelangelo’s first Pietá, Olson’s Pietá  is not really about pain and sorrow, but rather emphasizes our pietas or our “dutiful service” to God. Like Michelangelo’s Pietá, Olson’s Pietá is not about the underlying division and discord, but rather about support, sustenance and in the end about salvation or eternal life.
 
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