Johan's Blog

In our video series "Art That Surrounds Us," Johan van Parys, Ph.D., our Director of Liturgy and Sacred Arts, shares information about a piece from The Basilica of Saint Mary's art collection.

Recently we acquired a new painting, which is hanging from the pulpit in The Basilica. Its title is Sanctuary. It was painted by acclaimed artist Janet McKenzie. McKenzie says that, as a mother, she felt called to paint Sanctuary as she mourned with the many mothers of color who have lost a child. As she was working on this painting she kept coming back to Psalm 61: 4 -- "Let me live forever in your sanctuary, safe beneath the shelter of your wings.”

 

 

 

 

In our video series "Art That Surrounds Us," Johan van Parys, Ph.D., our Director of Liturgy and Sacred Arts, shares information about a piece from The Basilica of Saint Mary's art collection.
 
The Basilica will host the sculpture Angels Unawares throughout August on our front plaza along Hennepin Avenue. Angels Unawares depicts 140 almost life size migrants from all times and places aboard a boat. It was created by Canadian Catholic sculptor Timothy Schmalz, who also created our Homeless Jesus sculpture.
 
The original sculpture was dedicated by Pope Francis in St. Peter's Square on September 29, 2019, the 105th World Day of Migrants and Refugees. The name Angels Unawares comes from Hebrews 13:2, which admonishes Christians to “show hospitality to strangers, for thereby some have entertained angels unawares."
 
Catholic University in Washington D.C. was given a second cast of the sculpture. Before its permanent installation this fall, Angels Unawares has been traveling to several cities in the United States at the request of the artist. On Sunday, August 1 we will unveil and bless the sculpture after the 9:30am Mass. That afternoon at 3:00pm we will have a festive welcome ceremony with speakers, music, and dance; we will bid goodbye to the sculpture on
 
Thursday, August 26. There will be lots of programming around Angels Unawares between those to dates. More details are on our website at www.mary.org
 
 
 
 
 
Angels Unawares

Angels Unawares

Even though many of us do not see ourselves as migrants, humans seem to have migration in their blood. Over many millennia, our ancient ancestors migrated from the cradle of humanity in the horn of Africa to every corner of the world.  And even today, millions of humans are on the move. 

Sometimes migrations happen by choice as people are looking for adventure, are driven by curiosity or are responding to opportunity. Sometimes migrations happen out of necessity as people flee war, persecution, hunger and certain death. Sometimes migrations happen by force as people are removed from their homesteads or homelands and sent into endless misery or even are sold into slavery.

The bible is full of stories of migration. Adam and Eve were forced to leave Paradise. Abraham was told by God to leave his homeland to create a new nation. Joseph was sold into slavery in Egypt. His descendants migrated from Egypt and ended up in the Promised Land after 40 years in the desert. Even the Holy Family fled their home out of fear that Jesus might be killed by Herod. 

Pre-existing communities have not always welcomed migrants with open arms. Sometimes weariness and suspicion about these new arrivals was warranted as they used force to stake claim to the land driving those who already lived there out. Just look at what happened in Biblical times; or look at what happened to the First Nations of the Americas when Europeans arrived; or look at what is happening around the world today. 

And yet, sometimes the reception of newcomers has been less than welcoming due to xenophobia or fear of strangers. And yet, the Bible makes it very clear that we are to treat strangers with dignity and respect. The letter to the Hebrews 13:2 admonishes Christians to “show hospitality to strangers, for thereby some have entertained angels unawares."

As we know, Pope Francis is very concerned with the plight of migrants and refugees. On September 29, 2019, the 105th World Day of Migrants and Refugees Pope Francis dedicated a new monumental sculpture in St. Peter’s Square entitled Angels Unawares. Of note is that this sculpture was the first in some 400 years to be added to this iconic square. The sculpture was commissioned by Michael Cardinal Czerny who is the Under-secretary of the Migrants and Refugees Section of the Vatican’s Dicastery for Promoting Integral Human Development.

Angels Unawares was created by Timothy Schmalz, a Canadian Catholic sculptor who has dedicated much of his work to the social teachings of the Catholic Church. Our Homeless Jesus is one of his well known works.

Angels Unawares depicts 140 almost life size people on a boat. They represent migrants from all times and all places. Some of them have experienced migration by choice, others by necessity or force. Among them are a Jewish man fleeing Nazi Germany; an Irish boy fleeing the potato famine; an African family being forced into slavery; a Syrian man escaping the civil war in his home country; a Cherokee man on the trail of tears; a Protestant man escaping the Counter-Reformation. The ship even includes the Holy Family. 

As he sculpted each one of these 140 people, the artist used old photographs to represent historic migrants. Some of them he found in the Ellis Island archives. He also had recent immigrants come to his studio to model for this sculpture. Thus each one of the characters on the boat represents an actual person who migrated. In their faces one can see fear or anticipation, relief or dread depending on the reason for the migration.

At the center of this tightly packed boat are two large angel’s wings referencing the Letter to the Hebrews admonishment that any one of these sisters and brothers of ours might be “angels unawares.”

Catholic University in Washington D.C. was given a second cast of the sculpture. Before its permanent installation this fall, Angels Unawares has been traveling to several cities in the United States at the request of the artist. Minneapolis and the Basilica of Saint Mary will be the last but one stop on its way back to D.C. We will host the sculpture throughout the month of August. It will sit on the plaza in front of The Basilica.

On Sunday, August 1 we will have a welcome ceremony and we will bid goodbye to the sculpture on Thursday, August 26. There will be lots of programming around Angels Unawares between those to dates. More details are to follow.

In the same way as the Homeless Jesus calls us to solidarity with people who are experiencing homelessness, Angels Unawares calls us to solidarity with people who had to leave their homes and found refuge here. As we care for them, we may be caring for angels unawares.

Visit mary.org/angelsunawares for more details. 

 

 

Angels Unawares Pope

 

 

 

 

 

 

 

 

 

 

 

In our video series "Art That Surrounds Us," Johan van Parys, Ph.D., our Director of Liturgy and Sacred Arts, shares information about a piece from The Basilica of Saint Mary's art collection. In this third installment about Mary, Johan discusses different apparitions and depictions of Mary from around the world.

Please also note that Art that Surrounds Us will be posted monthly, rather than weekly, during the summer months. Our next episode will post in July.

 

 

 

In our weekly video series "Art That Surrounds Us," Johan van Parys, Ph.D., our Director of Liturgy and Sacred Arts, shares information about a piece from The Basilica of Saint Mary's art collection.
To honor of Mary during the month of May, we have a sub-series entitled Saints that Surround Us dedicated to Mary. In this second installment, Johan discusses the oldest Marian feast, image, and apparition.

 

 

 

Angels Unawares

Angels Unawares

Even though many of us do not see ourselves as migrants, humans seem to have migration in their blood. Over many millennia, our ancient ancestors migrated from the cradle of humanity in the horn of Africa to every corner of the world. And even today, millions of humans are on the move. 

Sometimes migrations happen by choice as people are looking for adventure, are driven by curiosity or are responding to opportunity. Sometimes migrations happen out of necessity as people flee war, persecution, hunger and certain death. Sometimes migrations happen by force as people are removed from their homesteads or homelands and sent into endless misery or even are sold into slavery.

The bible is full of stories of migration. Adam and Eve were forced to leave Paradise. Abraham was told by God to leave his homeland to create a new nation. Joseph was sold into slavery in Egypt. His descendants migrated from Egypt and ended up in the Promised Land after 40 years in the desert. Even the Holy Family fled their home out of fear that Jesus might be killed by Herod. 

Pre-existing communities have not always welcomed migrants with open arms. Sometimes weariness and suspicion about these new arrivals was warranted as they used force to stake claim to the land driving those who already lived there out. Just look at what happened in Biblical times; or look at what happened to the First Nations of the Americas when Europeans arrived; or look at what is happening around the world today. 

And yet, sometimes the reception of newcomers has been less than welcoming due to xenophobia or fear of strangers. And yet, the Bible makes it very clear that we are to treat strangers with dignity and respect. The letter to the Hebrews 13:2 admonishes Christians to “show hospitality to strangers, for thereby some have entertained angels unawares."

As we know, Pope Francis is very concerned with the plight of migrants and refugees. On September 29, 2019, the 105th World Day of Migrants and Refugees Pope Francis dedicated a new monumental sculpture in St. Peter’s Square entitled Angels Unawares. Of note is that this sculpture was the first in some 400 years to be added to this iconic square. The sculpture was commissioned by Michael Cardinal Czerny who is the Under-secretary of the Migrants and Refugees Section of the Vatican’s Dicastery for Promoting Integral Human Development.

Angels Unawares was created by Timothy Schmalz, a Canadian Catholic sculptor who has dedicated much of his work to the social teachings of the Catholic Church. Our Homeless Jesus is one of his well known works.

Angels Unawares depicts 140 almost life size people on a boat. They represent migrants from all times and all places. Some of them have experienced migration by choice, others by necessity or force. Among them are a Jewish man fleeing Nazi Germany; an Irish boy fleeing the potato famine; an African family being forced into slavery; a Syrian man escaping the civil war in his home country; a Cherokee man on the trail of tears; a Protestant man escaping the Counter-Reformation. The ship even includes the Holy Family. 

As he sculpted each one of these 140 people, the artist used old photographs to represent historic migrants. Some of them he found in the Ellis Island archives. He also had recent immigrants come to his studio to model for this sculpture. Thus each one of the characters on the boat represents an actual person who migrated. In their faces one can see fear or anticipation, relief or dread depending on the reason for the migration.

At the center of this tightly packed boat are two large angel’s wings referencing the Letter to the Hebrews admonishment that any one of these sisters and brothers of ours might be “angels unawares.”

Catholic University in Washington D.C. was given a second cast of the sculpture. Before its permanent installation this fall, Angels Unawares has been traveling to several cities in the United States at the request of the artist. Minneapolis and the Basilica of Saint Mary will be the last but one stop on its way back to D.C. We will host the sculpture throughout the month of August. It will sit on the plaza in front of The Basilica.

On Sunday, August 1 we will have a welcome ceremony and we will bid goodbye to the sculpture on Thursday, August 26. There will be lots of programming around Angels Unawares between those to dates. More details are to follow.

In the same way as the Homeless Jesus calls us to solidarity with people who are experiencing homelessness, Angels Unawares calls us to solidarity with people who had to leave their homes and found refuge here. As we care for them, we may be caring for angels unawares.

Visit mary.org/angelsunawares for more details. 

 

Full Weekly Newsletter 

In our weekly video series "Art That Surrounds Us," Johan van Parys, Ph.D., our Director of Liturgy and Sacred Arts, shares information about a piece from The Basilica of Saint Mary's art collection.

We are starting a sub-series called "Saints That Surround Us." Given that May is the month dedicated to Mary, we will dedicate several editions to Mary, the mother of Jesus. In this episode Johan discusses the scriptural and ancient roots of the devotion to Mary.

 

 

 

Last year we were gifted a new bronze sculpture by Peter Walker, entitled Pity of War. You can find this striking image near the Chapel of Our Lady of Guadalupe. This is a maquette for a much larger sculpture that is yet to be cast.

Peter Walker is a British artist who works in many different media including drawing, painting, sculpture, film, light and sound installations, etc. His works can be found in cities throughout the United Kingdom and around the world. LuxMuralis, e.g. one of his light and sound installations was at the Cathedral of Saint Paul last December.

Peter Walker is a fellow of the Royal Society of Arts and a member of the Royal Society of British Sculptors. He is artist-in-Residence at Lichfield Cathedral. Pity of War was conceived to join the memorials for different causes scattered among some 25,000 trees in the National Memorial Arboretum in Staffordshire in Great Britain. 

Pity of War is intended to honor the millions of nameless and voiceless and forgotten victims of war and human atrocities whose lives were upended against their will. The sculpture honors those bereaved by loss of loved ones, of their home or property; those who were forced to flea and now live in refugee camps or were forced to move to lands other than their own where they are more or less welcome; those who are suffering from post-traumatic distress and lifelong disabilities.

Pity of War depicts the head of a young child. Her eyes are strikingly bound and her mouth is shown shockingly silenced by abstraction and even by the removal of certain features such as her mouth and ears. Without words the image commands attention and draws the beholder into the narrative.

In Peter’s words, Pity of War is “not only about the past, but about the present and the future. It is both a commemoration and a challenge.” Since we received Pity of War I have been able to spend time with it. The sculpture really speaks to me. It has given me solace as I have come to it with a heavy heart wondering if we will ever get it right. Sitting with the sculpture I have pondered our broken world and our apparent inability to stop ourselves from adding on to the brokenness time after time.

And though it was conceived to commemorate victims of war I started to rename the sculpture: Pity of Violence; Pity of Abuse; Pity of Intolerance; Pity of Bigotry; Pity of White Supremacy; Pity of Racism.

I welcome Peter’s words that this sculpture is not only a memorial to past victims. It is also, and maybe even more importantly a challenge to all of us today; a challenge to be better; a challenge to work for change; a challenge to end all wars, violence, abuse, bigotry, supremacy and racism.

I am very grateful to add this sculpture to our art collection here at The Basilica of Saint Mary during these times filled with challenge and hope. I only wish it was much larger so that it might speak even more loudly to even more people.

When you visit The Basilica next, please visit Pity of War and let this sculpture speak to you. It is my hope that it will help us in our mission to change hearts and promote the values of equity, diversity and inclusivity.

 

 

 

In our weekly video series "Art That Surrounds Us," Johan van Parys, Ph.D., our Director of Liturgy and Sacred Arts, shares information about a piece from The Basilica of Saint Mary's art collection.

On February 1, 1926, Pope Pius XI bestowed the title of Minor Basilica on what was then known as the Pro-Cathedral of Saint Mary. The symbol of a half-opened umbrella, known as an ombrellino or umbraculum, is a symbol for a basilica with historical roots. This week, Johan shares more about these roots and our newly commissioned ombrellino, which was blessed by Archbishop Bernard Hebda on Easter.

 

 

 

Blessing of new Umbrellino
Photo provided by: 
Mae Desaire

 

 

 

 

 

In our weekly video series "Art That Surrounds Us," Johan van Parys, Ph.D., our Director of Liturgy and Sacred Arts, shares information about a piece from The Basilica of Saint Mary's art collection.
In this episode Johan discusses Pity of War, a new bronze sculpture gifted to The Basilica last year by British artist and sculptor Peter Walker. It is intended to honor the millions of nameless and voiceless and forgotten victims of war and human atrocities whose lives were upended against their will. Pity of War depicts the head of a young child whose eyes are strikingly bound and whose mouth is shockingly silenced.

Though it was conceived to commemorate victims of war, Johan was struck that it also spoke about what is happening in our cities, state and country. He thought of additional titles to the statue, incuding Pity of Violence, Pity of Abuse, Pity of Intolerance, Pity of Bigotry, Pity of White Supremacy, Pity of Racism.

 

 

 

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